Iquitos (i/ɪˈkɪtɒs, iː-, -toʊs/), also known as Iquitos City, is the capital city of Peru’s Maynas Province and Loreto Region. The largest metropolis in the Peruvian Amazon, east of the Andes, it is the sixth most populous city of Peru.
It is known as the “capital of the Peruvian Amazon.” The city is located in the Great Plains of the Amazon Basin, fed by the Amazon, Nanay and Itaya rivers. Overall, it constitutes Metropolitan Iquitos, a conurbation of 471,993 inhabitants consisting of four districts: Iquitos, Punchana, Belén, and San Juan Bautista. It is the largest city in the world that cannot be reached by road – it is accessible only by river and air.
The area was long inhabited by indigenous peoples. The founding date of the European city is uncertain. Spanish historical documents state that it was set up around 1757 as a Spanish Jesuit reduction by the banks of the Nanay River. The Jesuits gathered local Napeano (Yameo) and Iquito natives to live here, and they named it San Pablo de Napeanos.
In the late 19th century, the city became the center of export of rubber production from the Amazon Basin and was the headquarters of the Peruvian Amazon Company. The rubber boom attracted thousands of European traders and workers, some of whom amassed wealth with the high-volume production, processing and trade in rubber. The city’s economy was highly dependent on PAC, controlled in the nation by Peruvian businessman Juan Luis Arana.
The operations of PAC’s forces in the Basin, who kept indigenous workers in near slavery conditions through use of force and harsh treatment, was investigated by Roger Casement, the British consul-general in Peru. He had investigated labor conditions for natives in the Congo Free State when it was under King Leopold’s control, reporting on the abuse of thousands of workers. His 1913 exposure of abuses of Peruvian workers caused a reaction against the company among the several British members of its board and many stockholders. The company struggled financially and lost backing in the UK. In addition, rubber seedlings had been smuggled out of the country and cultivated on plantations in Southeast Asia. As the plants matured, the competition undercut prices of the Peruvian product. With the decline of the rubber industry, many workers and merchants left Iquitos.
As one of the leading cities, along with Manaus, in the huge Amazon rubber boom (1880-1914), Iquitos was influenced by the numerous Europeans who flocked to it. Architecture and cultural institutions established during this period expressed their own traditions. An opera house and Jewish cemetery were among the institutions established.
Later in the 20th century, the city and region diversified its economy. The region exported timber, fish and their products, oil, minerals, and agricultural crops. It also derives considerable revenue from tourism and related crafts, as well as bakery, and carbonated drinks and beer. By 1999, the city had consolidated its four municipalities.
The architecture and historical treasures reflect the colonial and early 20th-century European period, attracting an increased tourist trade in the 21st century. In addition it is a center of ecological tourism. It has become a major cosmopolitan city with strong roots in the Amazon, featuring a complex history and cuisine, Amazonian landscapes, nightlife, and a growing cultural movement.
In 2012, 250,000 visitors were recorded. Many have been attracted since the Amazon rainforest was ranked as one of the Seven Natural Wonders of the World. Iquitos inaugurated international flights to the main hub of Panama City in 2012, with shared destinations with Miami and Cancún. Its international airport is expected to become one of six international air centers of Peru. The city was ranked as sixth on the list of “10 leading cities in 2011” of the Lonely Planet guidebook.
The Historic Center of Iquitos has several structures that have been designated as part of the Cultural Heritage of the Nation: the Cathedral of Iquitos, the Iron House, the Old Hotel Palace, Cohen House, and more than 70 other buildings. Other landmarks are the Plaza de Armas; Jiron Prospero, an avenue that is the site of several shopping and historical areas; and the lively neighborhood of Belén, often dubbed the “Amazon Venice” for its many waterways. The city is also home to the Amazon Library, one of the two most important in Latin America.
The city can be reached only by airplane or boat, with the exception of a road to Nauta, a small town roughly 100 km (62 mi) south (which is not connected to the country’s main road network). Ocean vessels of 3,000 to 9,000 tons and 5.5 metres (18 ft) draft can reach Iquitos via the Amazon River from the Atlantic Ocean, 3,600 kilometres (2,200 miles) away. Most people travel within the city via bus, motorcycle, or the ubiquitous auto rickshaw (mototaxi, motocarro or motocar). This is a modified motorcycle with a cabin behind supported by two wheels, seating up to three persons. Transportation to nearby towns often requires a river trip via pequepeque, a small public motorized boat
The area was inhabited for thousands of years by Amerindians. At the time of European encounter, the Napeano and Iquito peoples occupied the area. They had small seasonal settlements and were nomadic hunter-gatherers, living in close association with the rivers. The city name of Iquitos is derived from a group of native people called Iquitos by the Spaniards. They had previously inhabited areas along the rivers Pastaza, Arabela, Tigre, Nanay, and Curaray. Eventually, the native Iquitos migrated to the area around the rivers Nanay, Amazonas, Itaya, and the Lake Moronacocha.
Between 1638 to 1769, the Iquitos and other native tribes of the Marañon rivers were obliged to settle down in various Missions (known as reducciones or reductions) founded and run by Jesuit missionaries from the Audiencia of Quito. The Jesuits settled in the major cities of the Audiencia of Quito, which was part of the Viceroyalty of Peru at the time. During this period of nearly 130 years, 161 Jesuit missionaries worked to convert and educate the natives of the Amazon region. Among them were 63 criollos (white ethnic Spanish colonists born in the Audencia), 43 Spaniards, 32 Germans and Dutch, 20 Italians, 2 Portuguese, and 1 Frenchman. Their role in South America was to convert the natives of the Amazon Basin to Christianity. The Jesuits successfully gathered the natives living along the Marañon river into various Jesuit missions, where they were set to work at farming and other pursuits.
Commencing in 1730, the Jesuits took 37 years to found the Iquitos missions along the Marañon River, close to the mouth of the Napo and Amazon rivers. These were collectively known as Iquitos Missions, since all these settlements were mainly populated chiefly by the Iquitos natives of the region. The naming and foundation of all the Iquitos Missions were done by Jesuit Father José Bahamonde. He was born in Quito on January 1, 1710, accepted into the Jesuit order, and served as a missionary for decades. After Charles III of Spain suppressed and expelled the Society of Jesus from South America in 1767, Bahamonde was exiled to Italy, where he died in Ravenna, Italy on May 11, 1786.
The following is a chronological list of noted Iquitos Missions founded by Bahamonde and other Jesuits:
During the Spanish Colonial era, most of the Jesuit missions were under the jurisdiction of the Royal Audiencia of Quito. Created in 1563, it was a part of the Viceroyalty of Peru, and was transferred briefly to the Viceroyalty of New Granada on May 27, 1717 known as the Cedula Real of 1717 (Royal Decree of 1717). Six and a half years later, on November 5, 1723, Philip V of Spain dissolved the Viceroyalty of New Granada and reincorporated the Audiencia of Quito into the Viceroyalty of Peru. Sixteen years later Philip V of Spain decided to re-create the Viceroyalty of New Granada and to re incorporate the Audiencia of Quito through the Cedula Real (Royal Decree) dated August 20, 1739. Charles III of Spain suppressed the Society of Jesus, believing them too powerful, and expelled them from South America by order dated August 20, 1767. Given the distance from Quito and the lack of roads connecting to that city, a political vacuum was developed in the area. The undefended Jesuit missions were attacked by the Brazilian Bandeirantes. In response the King of Spain on recommendation of Francisco Raquena created the Government and Commandancy General of Maynas in 1802 to halt the invasion into the Spanish Amazon of land-hungry mestizo Portuguese Bandeirantes. In general, this amounted to the religious administration and military command of all tributaries of the Amazon river in the Amazon Basin that belonged to the Royal Audiencia of Quito in the Viceroyalty of New Granada being transferred again to the Viceroyalty of Peru. The Portuguese advance was halted at Tabatinga.
In the early 19th century, following independence, Peru, Ecuador, Colombia, and Brazil had overlapping claims to the North Western Amazon Basin, based on each country’s interpretation of their colonial de jure titles. The disputed area was populated mostly by groups of nomadic Amerindian natives living in the Amazon jungle. In addition there were semi-assimilated sedentary Amerindians living with a handful of whites and mestizos, dedicated to trading in sparsely populated trading port villages that were found scattered along the river banks of the Amazon Basin. During the colonial era the disputed area known as Maynas had numerous missions administered by the Jesuits of Quito. After the Jesuits were expelled from South America, only a handful of missions survived in the 19th century as isolated trading villages. The Brazilians, by contrast, had a chain of villages along the Amazon River that stretched to its ports along the Atlantic Ocean.
Because Peru discovered that Ecuador and Colombia neglected to effectively control their Amazonian territories during their colonial era, Peru decided to back its de jure titles with de facto possession by setting up military posts in the relatively isolated trading villages and then flooding the disputed area with Peruvian colonists. The only problem lay with the expanding ambitions of Brazil, since it had slowly settled its part of the disputed area with colonists throughout its colonial era; it had a trading relationship with the Spanish-speaking trading posts and villages along the Marañon River. To neutralize Brazil from impeding Peru’s planned colonization project, on 23 October 1851, Peru peacefully settled its disputes with Brazil and both countries agreed to a bilateral free navigation and friendly trade along the Amazon River.
As a result of the Peruvian-Brazilian treaty, the Peruvian President Ramon Castilla created the Military and Political Department of Loreto on January 7, 1861 from the former Maynas territory. Castilla ordered that a fluvial port be constructed in a strategic spot on the Amazon River. After some debate, his staff chose the trading port Village of Iquitos. On January 5, 1864, three steamships of the Peruvian Navy: Pastaza, Próspero y Morona, arrived in the Village of Iquitos.
This date is marked as the founding of the first fluvial Peruvian port of Iquitos by the government of Peru. A dockyard and navy factorage imported from England was immediately constructed. In time Iquitos grew so much that it was designated as the capital of the Department of Loreto on November 9, 1897. Iquitos also became the seat of a Roman Catholic Apostolic Vicariate. Peru was able to map out and assume de facto control of the majority of the area of the Amazon region under dispute with Ecuador and Colombia. After many skirmishes with Ecuadorian and Colombian outposts, that at times led to war, Peru settled its border with Colombia in 1922 and with Ecuador in 1942.
Beginning in the 1900s, Iquitos became wealthy through its rubber industry throughout the rubber boom; it attracted thousands of immigrants from around the world, mostly young single men who hoped to make their fortunes in rubber. The rise of the automobile and related industries had dramatically increased the worldwide demand for rubber. Some men became merchants and bankers, and made their fortunes that way. Many of the European men married indigenous women and stayed in Peru the rest of their lives, founding ethnically mixed families. The immigrants brought European clothing styles, music, architecture and other cultural elements to Iquitos. They established an opera house that featured European classical music.
Among the unique communities formed by the 19th-century immigrants to the rubber boom was one of Sephardic Jews from Morocco. Many of the men married Peruvian women and made families in Iquitos. They established a synagogue and the Jewish cemetery. In the first generation, some of the women or children converted to Judaism, but by the end of the 20th century, four or five generations later, most descendants were no longer practicing Jews. Most were reared as Catholic.
In the 1990s, a descendant of a Jewish settler undertook serious study of Judaism. He began to revive the practice of Judaism among his family, friends, and other Sephardi descendants. After years of study, with the help of a sympathetic Conservative rabbi in Lima and another from Brooklyn, New York, eventually a few hundred people studied, practiced as Jews, and converted to Judaism. (Formal conversion was necessary according to Halakha as their mothers were not Jewish.) Many of the converts have emigrated to Israel under its Law of Return. A documentary was made about this community in 2010. Emigration of Peruvians from this Iquitos community has continued; about 150 emigrated in 2013 to 2014.
The wealthiest Europeans built great mansions in the late 19th century, some of which survive. Casa de Fierro (Spanish for the Iron House) was designed by Gustave Eiffel, designer of the Eiffel Tower in Paris. After an Englishman smuggled rubber seeds out of the area to establish competing rubber plantations in British colonies in southeast Asia and Africa, the Peruvian boom came to an end. In addition, a 1913 investigative report by Roger Casement, British consul-general to Peru, revealed the abuses of indigenous workers in the Amazon Basin by the Peruvian Amazon Company (PAC), owned by businessman Juan Luis Arana. Its several British board members and numerous stockholders in London were pressured to force changes in operations of the company. Many British divested themselves of this company in an effort to force changes. Arana returned to Peru, where he remained in charge of the PAC. The Asian rubber was soon produced at lower cost and undercut that of South America, and rubber declined in importance in Peru.
But Iquitos continued as an important trading port in the Amazon basin. It exploited its timber, oil and mineral resources for export and processing, along with agricultural and other products.
On 13 August 2012, a special plaque was placed in the plaza 28 de Julio of the city in a ceremony to commemorate the Amazon River and rainforest as one of the Seven Natural Wonders of the World. The plaque was forged in Munich, Germany. Iguazu Falls in Argentina has also been recognized as one of these top natural wonders.
Iquitos is located in northeastern Peru, northeastern Loreto Region, and in the extreme south of the Province of Maynas. Located on the Great Plains, the city has an area of 368.9 square kilometres (142.4 square miles), comprising the districts Belen, Punchana and San Juan Bautista. It is approximately at coordinates 03 ° 43’46 “S 73 ° 14’18” W to 106 metres (348 feet). It is the most northern Peruvian city.
It is surrounded by the Port of Iquitos, formed by the Amazon, Nanay and Itaya rivers. The city is situated on the left bank of the Amazon River, which provides a characteristic economic life, including trade and transport. The Itaya and Nanay rivers limit the physical expansion of the city in that direction; new development is growing toward the south and there is a slight population density in Downtown Iquitos. Close to Iquitos are a number of lagoons and lakes; Moronococha Lake is a boundary to the city on the west. These features make the city seem like a huge, faux river island.
Geologically, the city is settled in a Tertiary-Quaternary formation lithologically composed by little-consolidated lutites, with remains of flora or fauna, and numerous white-sand lenses of abundant silicon. The residual soils are sandy, almost clay-like and variably deep. Physiography, is a hazy landscape due to the undulations of the soil erosion caused by rain.
Under the Köppen climate classification, Iquitos experience an equatorial climate (Af). There is constant rainfall throughout the year, without a distinct dry season, but a wetter summer. Temperatures range from 21 to 33 °C (70 to 91 °F). The annual average temperature is 26.7 °C (80.1 °F). The average rainfall in Iquitos is 2,616.2 millimetres (103.0 in) per year. Because the seasons are not sensitive in the equatorial zone, Iquitos has only two seasons.
The rainy summer arrives in November and ends in May. March and April have the heaviest rains and humidity, with precipitations of about 300 and 280 millimetres (12 and 11 in), respectively. In May, the Amazon River, one of the rivers surrounding the city, reaches its highest levels. It falls about 9 or 12 metres (30 or 39 ft) at its lowest point in October, and then steadily rises again cyclically according to rainfall.
Winter offers a very different climate. Although July and August are the driest months, they have some periods of downpours. Sunny days and good weather are common, with high temperatures reaching 30 °C (86 °F) and an average of 32 °C (90 °F). Rainfall is more abundant here than in Ayacucho, Cusco, or Lima.
Iquitos also has microclimates: rain or drizzle may be present in some areas of the districts, while other parts of the city are slightly cloudy or clear. The temperature may vary. The urban climate is slightly warmer than the natural climate, and would be reflected by the thermal sensation. It suffers from a phenomenon called urban heat island, when the city’s heat has difficulty dissipating during the night hours due to absorption by buildings and pavement.
The main natural hazard is flooding. In 2012, major flooding occurred in Iquitos who alerted the population and affected coastal areas and several towns in the metropolitan area, which has a floodable, rainy geography. The floods of 2012 were regarded as the most historic natural disaster to Iquitos to date. Wet weather in Loreto took showers and drizzle, causing damage and flooding in the Loreto Region since November 2011. The rainy weather continued until early 2012, and increased the level of water in the Amazon river—wide stream that feeds most of the tributaries in Loreto — up to 117 metres (384 feet). Since February and March, several villages are affected (19,209 and 18,400 families affected), 26 000 hectares of farmland are flooded and the water level reached coastal streets of Iquitos. On 24 April 2012, the spate faded, and initiated the first stage of ebb.
Other natural hazards are heat waves where temperatures can reach over 37 °C (99 °F) with a heat index of 45 °C (113 °F) which is caused by the low humidity on clear days. Cold waves are also curious in Iquitos: cold air from the tip of the continent driven by the dynamics of the atmosphere, comes to town and causes a drop in temperature, moderate rainfall and thunderstorms. The trade winds also come to cause gales reaching 60 km/h (37 mph). In October 2012, Iquitos experienced high temperatures and heavy thunderstorms.
Earthquakes in the city are very rare and very deep. Iquitos is located in Region 3 of Systematic Regionalization Map of Peru, which means that the city has a low coefficient seismic value, although the 2011 Peru earthquake, which occurred southeast of Contamana, was felt in the city as a small and unexpected jolt.
Due to its location in the Peruvian Amazon, Iquitos has a green landscape with a vast variety of life. The flora is varied with great presence of 850 species, including 22 species of palms and orchids, who provide the attractive forest within the urban landscape of the city. The lilies also present. The extensive forests seated within metropolitan influence host fauna with 130 species of mammals, 330 of birds, 150 of reptiles and amphibians, and 250 fish. Within the city, inhabiting the rock dove (Columba livia), especially in the Square 28 de Julio. Also recorded the transient presence of bull sharks (Carcharhinus leucas) who come from the Atlantic Ocean, traveling 3,360 miles to Iquitos.
The floodplain forest of Iquitos is the peculiar ecoregion which surrounds the city, and is characterized by a várzea forest called Iquitos varzea. Its alluvial detail is the motive why intense rainy seasons easily reach these areas flood. In the natural cycle, the trees drop their leaves and other organic waste to the soil, and become humus. Rain washes these nutrients into rivers, which gives that blonde color, called tannin. Immediately, this cycle repeats.
The great biodiversity that the Iquitos Metropolitan Area houses and protects is paramount, and that is intrinsically related to its urban planning, which puts a limit action in areas where farms should not be built. Because of this, the appearance of informal settlements is seen as a risk.
The importance of the existence of nature reserves is a priority in Iquitos for ecosystem protection.
The Allpahuayo-Mishana National Reserve is a protected area with soaring rates of biodiversity. The reserve is located 20 kilometres (12 miles) from Iquitos, being reached by Route LO-103. The ecosystem is part of the Nanay River basin, specifically in an area called “Ecoregion Napo”, which contains a unique Amazonian biodiversity, including its distinctive white sand forests. The Napo Ecoregion contains 112 species of amphibians, 17 species of primates, 1900 plant species and over 600 birds species. Some ecologically important animals care for their rarity in the reserve are the supay pichico (Callimico goeldii) black stump (Callicebus torquatus), equatorial saki (Pithecia aequatorialis) ancient antwren (Herpsilochmus gentryi), Mishana tyrannulet (Zimmerius villarejoi), Allpahuayo antbird (Percnostola arenarum), chestnut-tailed ant (Myrmeciza centuculorum castanea), the pompadour cotinga (Xipholena punicea), saffron-crested tyrant-manakin (Neopelma chrysocephalum), among others. The Iquitos gnatcatcher (Polioptila clementsi) is an endemic species of the reserve and is considered a symbol of Iquitos.
The Tapiche Reserve is a private conservation property that employs a strict no catching/no caging policy. The abundance of wildlife on this property is a glimpse into how the entire region would have been prior to present-day logging and hunting activities. The reserve strives to educate visitors and locals alike on the most eco-friendly ways to enjoy the rainforest. Due to diligent patrolling and maintenance of the property against hunters and loggers, visitors have the opportunity to view rare and endangered animals in the wild. Species include the Amazonian manatee (Trichechus inunguis), the red uakari monkey, the giant otter (Pteronura brasiliensis), the agami heron (Agamia agami) and several species of large raptors including the harpy eagle (Harpia harpyja), the crested eagle (Morphnus guianensis) and the ornate hawk eagle (Spizaetus ornatus).
Quistococha Tourist Complex is characterized by its variety. The place is located 6 kilometres (3.7 miles) from Iquitos via Route AS-103, and with a extension 369 hectares (910 acres) of natural forest, has a small zoo, a serpentarium, an aquarium, a nursery and an artificial beach called Tunchi Beach.
The butterfly zoo Pilpintuwasi is located in Padre Cocha, Iquitos, and includes more than 40 species of insects, especially butterflies. Along the butterfly zoo, is the Amazon Animal Orphanage, commissioned in animal rescue.
Iquitos has architecturally significant buildings in a particular range of structural remnants were built during the rubber boom of the 1880s. Comprise mainly European/Amazonian-style buildings with ceramic tiles imported from Italy and Portugal, and its unique, French architecture called Casa de Fierro built by Gustave Eiffel, who built the original house in Paris for an exhibition of 1878. However, the structure is not the only European urban appeal: the city is also characterized by the rustic architecture or conventional as the palafitte, malocas and huts that are located primarily in the areas of the city.
Historically, the first native inhabitants of the settlements built their houses of sticks and leaves and other natural resources, which were tailored to protect the climate, wildlife and other hazards. The styles of housing in those settlements up the huts and cocameras, used as a large communal houses. Other peculiar conventional architectures are characterized by firmness and isothermal conditions; they are categorized into three types of home: quincha —built with posts and giant cane—, rammed earth —resistant and isothermal—, and adobe —irm with the same isothermal condition.
The rubber boom of the 1880s caused a severe change in the architectural face of Iquitos. Foreign and rubber barons brought with them the influence of countries like Spain, Portugal, France, Germany, and descendants as Sephardim. Jose de Jesus Reategui and a young group built the main features of the urban city in the years of boom, including the Iglesia Matriz de Iquitos. In the Iquitos popular belief of the 19th century, iron was considered less humane and aesthetic, but Gustave Eiffel got the Casa de Fierro became an attraction in the city, although historically the prefabricated building was not designed to Iquitos. Baroque and Rococo style also influenced the architecture of Iquitos, and defense against the rain was another prominent feature given for buildings. About 90 buildings are declared architectural heritage of Loreto
Iquitos has vibrant, unique, complex and diverse culture, and is regarded as cultural hub that meeting the Peruvian Amazon, according to Lonely Planet. Many natives visit the city to present their dances or sell their crafts. It also brings a wealth of customs and traditions remained considerably over the years and in the Iquitos calendar, between her festivities, cuisine, Spanish accent and mythology. Currently, its culture is undergoing an impetuous transition to a contemporary level to preserve their traditions with innovative art movements.
One of the main factors of the traditional cultural energy of Iquitos is Amazonian mythology, which has a range of characters, identified by folklore in imaginary beings. Many of the legendary beings, with appearances motivated by local geography, have powers and influenced much in agriculture and worldview of Iquitos. The dance and music, a mix of indigenous and mestizo heritage are closely related to the meanings of mythology, and also with the life of the citizen and Amazonian villager.
The complex cultural life of Iquitos consists mainly of native iquiteños, Brazilians, Colombians, Chineses and settled expatriates ethnicities. The term “charapa culture” generally refers to social, cultural and artistic movements of Iquitos.
Iquitos has a unique culture that is strongly felt, as the following quotes says:
|We are in the city of the alteration of the senses. What is striking me is the ease with which iquitenses [sic] engage in conversation with tourists, with a warmth and naturalness that is rarely seen in my native place.|
|— Max Palacios, in his blog Amores bizarros.|
|Although I’m a veteran of several South American adventures, Iquitos appealed to me as a quirk – a jungle city seems a contradiction and this would be my first Amazon visit to include the cosmopolitan luxuries of a real bed and shops. I’m fascinated at the very audacity by which such a city exists, thousands of kilometres from anywhere and with no roads to get there.|
|— Jade Richardson, in an article titled “In an urban jungle”|
|Nothing more appropriate to think of a fantastic city as a city of Atonement. Iquitos is an island, surrounded by an immense and immeasurable river, an island that goes wherever you go one to be crossed with fresh water and warm, with boats and small kids, with men and boys in the sun on the beach, with sirens and buzzards and myths. A city that faced conflicts and wars against three countries, which suffered considerable infighting and even for some months it has its own currency. Island, yes; city, yes.|
|— Edwin Chavez, writing about the idiosyncratic essence of the city.|
Contemporary cultural movements began in the city, such as the Amazonian pop art and Amazonian graffiti — with Pukuna 8990 being the most revolutionary graffiti movement—, Iquiteño music subgenres of electronica, hip hop, rap, heavy metal, French jazz, punk, psytrance/full-on, next to traditional Amazonian music. The Children’s and Youthful Symphonic Orchestra of Iquitos is the main symphonic group in the city.
Iquitos has been benchmarked over the years in literature and film. The Peruvian writer Mario Vargas Llosa wrote his work Captain Pantoja and the Special Service inspired by the city. Francisco Lombardi’s 2000 film, based on the novel by Vargas Llosa was filmed in this city. In Rómulo Gallegos-winning The Green House (1965) and The Dream of the Celt (2010), other novels of Mario Vargas Llosa, also part of the plot occurs in Iquitos
Iquitos has an intense tourist movement in the entertainment, which is based on specific points located throughout the city. With a growing organization of entertainment today, the city has always had groups concerned to project the Iquitos arts such as dance, music, film, painting, literature and theater.
In the visual arts, the city is the birthplace of Amazonian pop art (also known wild naive) which is a unique, self-taught, pop-art style of the city, and is notable for its “sparkling” chromaticism, and makes a reference to hallucinogenic ayahuasca experiences. Originally, it is a mural art that blends prominently the colorful amazonian culture, European motifs and commercial characters, which may be influenced by American pop art, especially MTV.
In several works of painters iquiteños (such as Christian Bendayan, Roldán Pinedo, Elena Valera, Rember Yahuarcani, Brus Rubio and Victor Churay), Amazonian pop art legacy has been a visual reference to create avant-garde works of contemporary life in the city and Amazonian culture.
The Dirección Regional de Cultura (formerly known as Instituto Nacional de Cultura del Perú), with headquarters in the city, mainly funded events and arts festivals in the city, although there are also small indie or underground groups that conduct their own cultural events. The city has many small festivals; the highlights are Estamos en la Calle, Iquitos Outfest, and other small annual events.
The city is known for having a remarkable celebration, called simply Carnaval. During this festival, mainly pagan, celebrants are dedicated to wetting people with cabaciñas or other instrument. Many choose to be more extravagant, wetting with various substances such as paint or other object as cause for celebration. The celebration is unique each year in February. The carnival is heavily influenced by myths and rich Amazonian culture. It also celebrates the Day of San Juan, referring to John the Baptist as patron saint in the Peruvian Amazon, whose feast is celebrated on 24 June. The main element is the juane and other own dances as shunto jump.
Tourism is one of the most vital industries in Iquitos, which has a growing reputation as a honeypot due to its location on the banks of the Amazon River, one of the seven natural wonders of the world. Through the years, Iquitos receives a considerable amount of foreigners; the tourist index grew by international flights offered by the city’s airport. Tourism in the city formed into European-style architecture, cuisine, drinks, art, culture, worldview, Spanish accent and historical references of Loreto. Iquitos has adequate infrastructure to accommodate tourists from all levels. It has a 5 – star hotel, many of 3 -, 2 -, and 1 – star rating.
The major tourist attractions include Barrio de Belén, Plaza de Armas, Casa de Fierro, Ex Hotel Palace, Iglesia Matriz de Iquitos, Allpahuayo Mishana; Embarcadero Bellavista-Nanay, ethnic communities located around the city, Quistococha Resort and Zoo; Mercado Artesanal of San Juan. iperú is the leading tourist guide service that is offered to tourists at the airport and the city center of the city.
The city is also home to unique tourist companies as Maniti Camp Expeditions, Otorongo Expeditions, Amazon Golf Course, and Project Amazonas (dedicated to research and conservation). Special experiences outside the key tourist areas of the city include the Camiri — a floating hotel —, the Isla de los Monos, the Pilpintuwasi butterfly zoo, Iquitos-Sunkaruqucha Corrientillos-King Kong-Nina Rumi circuit, and adjoining districts such as Mazán, Indiana and Bellavista.
In 2010, Iquitos received about 150 thousand tourists. The following year, in 2011, the index fell to 46,000 tourist foreigners, which expects 10% rise rapidly in 2013 with international flights opened in July 2012 and the Amazon River as a natural wonder.
Ayahuasca is known as a major cultural landmark, and mystic tourism has increased in Iquitos in recent years. The drink, made from the vine Banisteriopsis caapi, is investigated by the Western people with a medicinal purpose and study, and was named the nation’s cultural heritage.
Dangers, however, still exist when coming into contact with the drug. Shamans are not regulated and none have proof of credentials. Whilst deaths in Iquitos are rare they have been reported, including Frenchman Fabrice Champion and American Kyle Nolan.
Iquitos is home to the annual Amazonian Shamanism Conference. Here, like-minded individuals meet in Iquitos yearly to discuss Ayahuasca.
Iquitos is home to the 120-kg, bronze commemorative plaque of the Amazon River basin as one of the seven natural wonders of the world, which was granted on 13 August 2012 by Fernand Weber, founder of New7Wonders. The distinction is shared with Bolivia, Brazil, Ecuador, Suriname, Colombia, Venezuela and French Guiana, however, recognition was given to Peru which originally ran for the Amazon through the Regional Government of Loreto based in Iquitos.
The awards show was held in Iquitos. It began with a massive parade along Avenida Quiñonez, and eventually culminated in the main day, 13 August, divided into two sessions throughout the day: the first in the confluence of the Itaya and Nanay in the afternoon, and the second on 28 July Square of the city at night. The event received intense international attention. Similar to Machu Picchu as a wonder of the world, Iquitos, as the main entrance to the Amazon, expects great tourist revenue.
The President of Peru Ollanta Humala, next to the First Lady Nadine Heredia and Loreto Regional President Ivan Vasquez received the award. Jean Paul de la Fuente, New7Wonders foundation director, said positively on the image of Iquitos.
However, despite the great satisfaction, the award caused polarized reactions indicating that the Regional Government of Loreto would be on duty to plan better urban development in Iquitos for the forecasted intense tourism. The negative scrutiny aimed at disorganized and massive Sewer construction was damaging the city streets, causing discomfort and accidents in traffic and littering the aesthetic image of Iquitos. Several iquiteños citizens criticized about it via Twitter
Juane is one of the main dishes of cuisine of the Peruvian jungle. It is widely consumed during the Catholic Feast of San Juan (St. John), held on 24 June each year. The dish was named in honor of San Juan Bautista. The dish could have a pre-Columbian origin. With the arrival of the Spanish, missionaries popularized the Biblical story of Salome, John, and Herodias. Some believe the dish’s name comes from the reference to the head of San Juan.
Another popular dish is Tacacho, made from fried slices of plaintain mashed with chicharones (fried pork fat). It is usually accompanied with chorizo (fried sausage) making it a savory combination. The dish is typical of Iquitos as well as the Peruvian Amazon. It is widespread in the rest of the country. The term tacacho derives from the Quechua term, taka chu, which means beaten. Tacacho consumption varies depending on the region where it is made. In Madre de Dios and San Martín, many people eat tacachos for breakfast, while in other regions, it is a dish served at lunch or dinner. In the San Martín region, tacacho is included in the Christmas dinner. In the Amazon region of Ecuador, the dish is known as bolon. It has a counterpart in the Caribbean islands, where it is called mofongo.